Archive for April, 2010

This Air is Full : Next Art Fair Chicago

Wednesday, April 14th, 2010

Leo Kesting Gallery Presents:
Brian Leo: This Air is Full
NEXT ART FAIR CHICAGO
April 29 – May 3
Opening Preview from 12 until 9pm April 29

Brian Leo’s snoopy house installation – This Air is Full, has been accepted for presentation in NEXT 2010 the Artropolis event held for Art Chicago which is hosted by the Kennedy family. The installation will be a smaller version of the exhibition that has been showing at the gallery and will mark the second time Brian Leo’s work has been exhibited in Chicago during the Art Chicago Art fair week…

This City

Wednesday, April 14th, 2010
David Meanix – This City
March 20 – April 6, 2008


A)Return of the Goddess, David Meanix.40
” x 30″, Color Photograph, 2008

b) The sides surrounding one another, Beka Goedde, 27 1/2″ x 32″, etching, gouache, pencil on panel, 2008

c) What, David Meanix, 40″ x 30″ color photograph, 2008


Leo Kesting Gallery Presents: David Meanix – This City
and Glowlab Presents: Beka Goedde – Entropically Favorable
March 20 – April 6, 2008
Opening Night Reception: Thursday March 20, 7:00 – 10:00 pm
812 Washington St (at the corner of Gansevoort) New York, NY 10014
8th Ave A, C, E and L train Stop or 1,2,3 to 14th Street
Tuesday – Sunday from 11:00 am until 7:00 pm
Admission is free to the public
Phone: 917-650-3760
Web: leokesting.com or http://glowlab.com

After Party at Level V : hosted by Adele Balderston and DJ Pierce Jackson

March 3rd, New York– In a formal collaboration between partner galleries Leo Kesting and Glowlab, David Meanix’s sculptures – born from torn and shredded photographs and culminating in staged renditions of modern daily life – are exhibited next to Beka Goedde’s paintings and works on paper depicting a bird’s eye view of architectural structures suggesting tent cities and shanty towns. In Leo Kesting’s collection of works by David Meanix, entitled This City, and Glowlab’s presentation of Beka Goedde’s Entropically Favorable, two curators bring forward visions exploring psycho-geography and the complex relationships between people and the spaces they inhabit. Exhibitions will be on display March 20th through April 6th.

In This City, David Meanix’s original approach to photography brings a new direction to the discussion of social issues by providing an array of engaging imagery as a starting point. Through a technique known as Photo-sculpture, Meanix delves into the personal lives of women, minorities and couples who either struggle with the challenges that life in the city presents, or bask in its glories. This technique of tearing photographs and collaging them back together allows Meanix to approach the subject in a dynamic way. Pure and true to its intention, Meanix’s artwork is defined by its conception, the deconstruction of the object and the photograph itself. Once this has occurred Meanix can begin to find his subject, an intangible that must be rebuilt. The portrait has been taken and is ripped apart to then be remade representing a fresh look at our personal identities.

“My sculptures are about release. They portray a bringing forth of one’s true self while consciously shedding pretenses. . . A realization that we are spirit held by the physical body; cocoons of sublime bliss.”

In the second exhibition, curated by Glowlab and presented on the gallery’s mezzanine level, Beka Goedde’s first New York solo exhibition, Entropically Favorable, brings a similar vision refocused on the identity of the city itself. Her complex landscapes appear to float in unbounded space on rough, warped painting surfaces that are at the same time thin and delicate, arching and curving outward from the wall. Raw plywood is covered with etchings on Japanese paper, linen and plaster in gauze-like layers, lending a dreamy, ethereal quality to Goedde’s imaginary villages. Jewel-toned colors fill geometric sections in clusters, hinting at life within the primitive structures. Bits of words and phrases appear at times as whispers woven into the terrain.

Trained in neuroscience and philosophy at Columbia University and Barnard College, Goedde presents a complex spatial perspective where planes and structures collide with the uncertainty of memory – dense in places, sparse in others. In these landscapes of growth and continuation, light and tactile perception reach an equilibrium counterbalanced by the acceptance of natural decay. One has the sense that these dwellings might tumble at the slightest quake, leaving only the idea of a landscape behind.

Reminiscent of Italo Calvino’s “Invisible Cities,” Goedde’s introspective yet dynamic spatial and tactile sensibility draws the viewer into her interconnected framework of imaginary constructions, leaving behind lingering questions about the nature of space.

From its origins as Capla Kesting Fine Art in Brooklyn, the Leo Kesting Gallery launched in 2003 and developed an aggressive campaign to introduce new figurative artists to collectors and art supporters. Leo Kesting offers the art viewing public an opportunity to see forthcoming talents in an intimate setting where undiscovered, cutting-edge artists are presented to the contemporary art scene.

Glowlab, a curatorial project of Brooklyn-based artist and curator Christina Ray, supports the development, production and exhibition of new works by artists and creative technologists whose primary inspiration is the urban environment. Open by appointment in Williamsburg, Glowlab operates as a nomadic initiative, collaborating recently with host galleries and arts organizations in New York, Miami, Chicago, Boston, Los Angeles, San Francisco, Montréal, Rome and Valencia. Glowlab is also the founder and producer of the Conflux, the art and technology festival for the creative exploration of urban public space. glowlab.com, confluxfestival.org

Leo Kesting Gallery is located at 812 Washington St at the corner of Gansevoort in Manhattan’s Meat Packing District. A, C, E, or L train to 8th Ave and 14th Street or 1,2,3 train to 14th Street. Gallery hours are Tuesday to Sunday from 11am until 7pm.


Bipolart

Wednesday, April 14th, 2010
Eric Laine – Bipolart – Facelift
February 22 – March 9, 2008

A) Modern Soul of Life

Capla Kesting Fine Art Presents:
Eric Laine Curates Bipolart : Facelift
February 22 – March 17, 2008
Reception for the Artist: Friday February 22 from 7:00 – 10:00 pm

121 Roebling Street (at the corner of North 5th) Brooklyn NY 11211
Bedford Ave L train Stop
Thursday – Monday from Noon until 6:00 pm
Admission is free to the public phone : 917-650-3760 http://www.caplakesting.com or contact eric at: http://www.BiPolArt.cc

For Immediate Release:
Bipolart launched in 2007 as an independent curatorial outpost with a growing portfolio site for selected artists. A contention of Bipolart is that exhibiting diverse work side by side fuels discourse toward a progressive reception of art. Dialectical tension from such a curatorial process underlines the ‘bipol.art’ distinction.

“Facelift” is a group show curated by Bipolart founder Eric Laine for Capla Kesting Fine Art in Brooklyn featuring artists from Amsterdam, Berlin, Warsaw, New York, and LA.  The work selected for “Facelift” reveals ‘facial’ representation in literal, discreet, and abstract form.  In a sense this group show attempts to lift so-called
face value from its obvious origin to the realm of fiction, taking on forms related to nature, artifice, and abstract irony.

Bare “Facelift” submissions include Autumn Rooney’s ‘Love Series’ painting of Benazir Bhutto and Barack Obama, Carlos Valencia’s Lindsey Lohan pencil drawings, and Marc Grubstein’s ‘I love Frida’ self-portrait photograph.

Discreet “Facelift” submissions include photo prints from the ‘Modern Life of the Soul’ art cult, presented here for the first time in America, which reveal images from their month-long quest into the primeval Polish forest ‘to reverse
evolution by living like plants.’ The mysterious photos develop from glimpses of bare women cloaked with plant life to ritual scenes of decorative altars celebrating the forest. Dutch artist Melanie Bonajo also mutes the portrait gaze in a different project of female bondage photos where she uses household items to wrap her nakedness up and cover her face.

An example of ironic abstract work in terms of the show stems from Matthew Steinberg’s modernist influenced urban painting series. Here scenes of urban architecture are painted onto canvas in rich contrasts and sharp lines heightening color perception to a city’s modern makeover beyond its concrete familiarity.

Exhibiting artists:  Melanie Bonajo, Clare Churchouse, David Henry Brown Jr., Marc Grubstein, Kinga Kielczynska, Steffi Lindner, Marok, Mosco, Autumn Rooney,  Kristen Schiele, Ania Siwanowicz, Matthew Steinberg, Carlos Valencia

Facelift is on view from February 22 until March 17, 2008, with an opening night reception for the artist on Friday February 22 from 7:00 – 10:00 pm. The Gallery is located at 121 Roebling Street in Brooklyn NY. Gallery hours are Thursday to Monday from noon until 6pm.

Founded in October of 2003 by artists David Kesting and Lincoln Capla, Capla Kesting Fine Art has become synonymous with the exposure of underground artists. Created primarily as a venue to expose their work, and that of their talented group of friends CKFA has developed a reputation for their off the beaten path approach to advancing the public’s knowledge of premier talents that demand our attention.

“We’re not here making a statement. We’re just showing art we think deserves to be shown. The goal and whole idea of the place is to help bring artists that we respect and enjoy to the attention of the public.” – Capla Kesting Fine Art

Directions: Bedford Ave L train Stop. Exit the subway walking west on North 7th, away from river, 2 blocks to Roebling, then proceed south 2 blocks to North 5th. The gallery is located on the corner of North 5th and Roebling.


Diane Dwyer

Wednesday, April 14th, 2010
Diane Dwyer
March 14 – March 16, 2008

A) Bow, Diane Dwyer, 18″ x 26″, Oil on Board 2007


B) Sparrow, Diane Dwyer, 12″ x 16″, Oil on Board 2005

Leo Kesting Gallery Presents:
Diane Dwyer
March 14 – March 16, 2008
Opening Night Reception: Friday March 14 from 7:00 – 10:00 pm
812 Washington St (at the corner of Gansevoort) New York NY 10014
8th Ave A, C, E and L train Stop or 1,2,3 to 14th Street
Tuesday – Sunday from 11:00 am until 7:00 pm
Admission is free to the public
phone : 917-650-3760 / 917-292-8865

http://www.leokesting.com

Diane Dwyer’s quiet, subtle paintings of birds, storm clouds and underwater scenes give a serene calm as a backdrop to the tumultuous storms through which we endure. As a painter her works are enigmatic. Her use of color, line and perspective create an image that our eye is easily caught in and spun from one side of the canvas to the other not unlike a leaf caught in a current.

In this collection expect to see a consortium of Diane’s repertoire, from early paintings of bird portraits to her well known storm cloud abstracts and birds as they are caught inside of them. As well as underwater images such as a 1940’s battleship in its submerged grave after atomic testing.

“Dwyer’s first solo show at the gallery featured the signature ‘dramatic oils of splay-winged birds sideswiped by tumultuous weather … a true delight.’ (Village Voice Best of 2006), as well as lovely skewed perspectives of skies with wires, cornices and other seemingly banal objects teasing us from outside the center of the picture, leaving space and time for contemplation of their meeting with the “divine” and timeless sky-scapes with which they were paired. The new work is looser, and we think “deeper” both literally and otherwise.” -Brook Bartlett

Originally CKFA from Brooklyn New York, the Leo Kesting Gallery started in 2003 and developed an aggressive campaign to introduce new figurative artists to collectors and art supports. Leo Kesting offers the art viewing public an opportunity to see forthcoming talents in an intimate setting where new undiscovered artists with a cutting edge are exposed to the contemporary art scene. In this way, we present our collectors with an off-the-beaten-path approach to acquiring artwork for our minds and culture.

The gallery is located at 812 Washington St at the corner of Ganesvoort in the meat packing district of West Greenwich Village. A, C, E, or L train to 8th Ave and 14th Street or 1,2,3 train to 14th Street. Gallery hours are Tuesday to Sunday from 11am until 7pm.

The Studio Collection

Wednesday, April 14th, 2010
Lincoln Capla – The Studio Collection
March 1 – March 12, 2008


A) I Will Continue to Love America, Lincoln Capla.
65.5″ x 59″, Oil on Wood and Glass

Leo Kesting Gallery Presents:
Lincoln Capla – The Studio Collection
March 1 – March 13, 2008
Opening Night Reception: Saturday March 1 from 7:00 – 10:00 pm
812 Washington St (at the corner of Gansevoort) New York, NY 0014
8th Ave A, C, E and L train Stop or 1,2,3 to 14th Street
Tuesday – Sunday from 11:00 am until 7:00 pm
Admission is free to the public phone : 917-650-3760

http://www.leokesting.com

Lincoln Capla’s artwork has been called “a product of a multifaceted vision rather than a sign of immaturity or an effort to be postmodern” by Ben La Rocca from the Brooklyn Rail. Those traits are evident in this expansive view of his career, The Studio Collection, the largest retrospective to date of Lincoln Capla’s artwork. Showcasing multiple styles from hundreds  of paintings, drawings and sculpture for view. Lincoln’s approach of minimizing color, concentrating on line and perspective while focusing on concept, allow his themes to overpower the viewer.

“Lincoln’s work allows the viewer to escape the mundane fight of color and splash that so many artists get absorbed in,” explains gallery co-director John Leo “by exercising restraint, Lincolns work embraces subtle execution to allow his concepts to really touch a persons soul.”

In the painting, I Will Continue To Love America, Lincoln use of found object is aptly chosen to express the concept of transparent conflicts within ones own house. Though harsh and damaged like the object he choose to paint on, our frailties are easily broken when reflected against permanent aspects of our lives

“The beauty of this artwork lies in Lincoln’s ability to tie found object to the concept of his painting,” gallery co-director David Kesting adds, “Any canvas would not work for such a grand painting, Lincoln needed a large dynamic material to work on that would convey the ancient foundation from which we come and how easily we can shatter the trivial arguments we engage and hold ourselves in.”

Originally CKFA from Brooklyn New York, the Leo Kesting Gallery started in 2003 and developed an aggressive campaign to introduce new figurative artists to collectors and art supports. Leo Kesting offers the art viewing public an opportunity to see forthcoming talents in an intimate setting where new undiscovered cutting-edge artists are exposed to the contemporary art scene. In this way, we present our collectors with an off-the-beaten-path approach to
acquiring artwork for our minds and culture.

The gallery is located at 812 Washington St at the corner of Gansevoort in Manhattan’s Meat Packing District. A, C, E, or L train to 8th Ave and 14th Street or 1,2,3 train to 14th Street. Gallery hours are Tuesday to Sunday from 11am until 7pm.


Preview Year One

Wednesday, April 14th, 2010
Leo Kesting Gallery – Grand Opening
January 17 – Feb 25, 2008

Leo Kesting Gallery – Grand Opening!
Thursday, January 17th – from 7 to 10pm
Preview of artworks to be exhibited at Leo Kesting in 2008
812 Washington St. (at Gansevoort) New York, NY 10014
Featuring: Lincoln Capla, Daniel Edwards, Jonny Fenix, Jason Douglas Griffin, David Meanix, Joe Heaps Nelson, Brian Leo, Shawn Bishop-Leo, Ray Sell and Dave Tree

New York city’s Meat-Packing District has long been a place of intrigue and dialog with its citizens. Once famous for commodity and produce, to its seedy midnight lurking of the 80’s and early 90’s, to its current status of international chic, the meat packing district has long been where the guts of New York are located. These cobblestone streets where the longest blocks of the city run into the Hudson, now inhabited by the trendiest of restaurants bars and fashion boutiques is the prime location for our new gallery to unleash this new wave of artists into the main stream of America. Traveling the L train with our success from the Bedford avenue stop in Brooklyn underneath the now gentrified 14th street and emptying our payload on Washington Street at the mouth of the West Side Highway we welcome home our new digs, Leo Kesting Gallery in the meat packing district.

Showcasing artworks by Lincoln Capla, Daniel Edwards, Jonny Fenix, Jason Douglas Griffin, David Meanix, Joe Heaps Nelson, Brian Leo, Shawn Bishop-Leo, Ray Sell, and Dave Tree; Leo Kesting brings its raw vision and collection to Manhattan for a feast to the eyes of international collectors. With a storied reputation of standing behind its artists, regardless of the opinions of critics, Leo Kesting braces the public for the sensual appeal of figurative illustrations, vivid expressive paintings and sharp rhetoric that has become our trademark in the art world. Also on display will be samples of work from additional galleries that will be working with Leo Kesting Gallery in a series of guest exhibitions throughout the year.

Please join us as we celebrate this momentous occasion. Thursday, January 17th from 7-10pm at 812 Washington Street.

Brian Leo – Martial Law Winter Wonderland

Wednesday, April 14th, 2010
Brian Leo – Martial Law Winter Wonderland
November 30 – December 23, 2007

A) Bird Fluin, Mixed Media on Canvas

B) Milk It, Mixed Media on Canvas,



C) Mother and Child, Mixed Media on Canvas,

Capla Kesting Fine Art Presents:
Brian Leo – Martial Law Winter Wonderland
November 30 – December 23, 2007
SHOW EXTENDED UNTIL FEBRUARY
Reception for the Artist: Friday November 30 from 7:00 – 10:00 pm
Winter Wonderland Holiday Special with Brian Leo: Friday, December 14 7:00 -10:00 pm
121 Roebling Street (at the corner of North 5th) Brooklyn NY 11211
Bedford Ave L train Stop
Thursday – Monday from Noon until 6:00 pm
Admission is free to the public phone : 917-650-3760 http://www.caplakesting.com
For Immediate Release:

With Brian Leo’s third solo exhibition at our gallery he explores the reality of a presidential mandate for martial law allowing George Bush to remain in power for an unspecified period of time. Viewing into a near future, Brian proposes the hope for an end to the Bush presidency is left unrealized in the 2008 election. Precipitated by a possible outbreak of the bird flu and the subsequent citizen unrest, Bush declares Martial Law, and cancels the democratic process for the foreseeable future.

In Martial Law Winter Wonderland, Leo imagines the five ways Martial Law could be reinstated in the near future: epidemics of disease, civil unrest, a natural disaster, an act of war, and an economic crisis. Brian Leo greets the upcoming new year with an explosion of doom that we can only hope is science fiction, but are already becoming the reality: diseased and deformed newborns, a Red Cross ship loaded with ammunition, Americans performing jobs we’ve come to associate with desperate poverty, all in his familiar, and now deeply strange style. Like George Orwell and Ray Bradbury before him, Brian Leo creates an alarming narrative in order to remind us: if we are not vigilant towards the politics and policies of the present, then the possibilities of the future election and beyond are only dreams.

Brian Leo has recently shown in Tokyo, at the Bridge Art Fair in Chicago and Miami, Sunset and St. Marks in Los Angeles, the Fountain Art Fair in New York, Chicago and Miami, and galleries throughout the East Village, Chelsea, and Williamsburg. He was also noted in the July 29 th 2007 issue of The New York Times.

Brian Leo Martial Law Winter Wonderland is on view from November 30th until December 23rd, with an opening night reception for the artist on Friday November 30th from 7:00 until 10:00 pm. The Gallery is located at 121 Roebling Street in Brooklyn NY. Gallery hours are Thursday to Monday from noon until 6pm.

Founded in October of 2003 by David Kesting and Lincoln Capla, Capla Kesting Fine Art has become synonymous with the exposure of underground artists. Created primarily as a venue to expose the work of their talented group of friends CKFA has developed a reputation for their off the beaten path approach to advancing the public’s knowledge of premier talents that demand our attention.

“We’re not here making a statement. We’re just showing art we think deserves to be shown. The goal and whole idea of the place is to help bring artists that we respect and enjoy to the attention of the public.” – Capla Kesting Fine Art
Directions: Bedford Ave L train Stop. Exit the subway walking west on North 7th, away from river, 2 blocks to Roebling, then proceed south 2 blocks to North 5th. The gallery is located on the corner of North 5th and Roebling.

CKFA is sponsored by Kelso Brewery in Brooklyn and we proudly pour their beverages!


Miguel Paredes – B-Boys

Wednesday, April 14th, 2010
Miguel Paredes – B-Boys
November 9 – 25, 2007

A) Madonna and Child, Mixed Media on Canvas, 30” x 24”

B) Le Christ, Mixed Media on Canvas, 36” x 24”

Capla Kesting Fine Art Presents:
Miguel Paredes– B-Boys
November 9– 25, 2007
Reception for the Artist: Friday November 9 from 7:00 – 10:00 pm
121 Roebling Street (at the corner of North 5th) Brooklyn NY 11211
Bedford Ave L train Stop
Thursday – Monday from Noon until 6:00 pm
Admission is free to the public phone : 917-650-3760 http://www.caplakesting.com

For Immediate Release:

It was in the fall of 1981 when urban life as we have come to describe it was born from the street culture of the Bronx and Queens. When Run DMC and KRS ONE lead the way to a Hip Hop music revolution. While Andy Warhol, Keith Haring and Jean-Michel Basquiat validated street art culture, a young LaGuardia high school art student living on the then very dangerous Upper West Side took the name MIST to a graffiti street campaign that ran thorough all five boroughs. MIST survived those days, survived Mayor Koch, survived the Son of Sam, survived the drug epidemic, survived the Latin Kings but was ingrained with a knowledge of street art that stills shows its scars today. It is with great pleasure that, with advent of fall in New York, Capla Kesting Fine Art brings MIST back to his former home to display a collection of artworks reminiscent of this time. Not under a graffiti pseudonym but as himself, a successful Miami based businessman, a successful publisher and successful painter, as Miguel Paredes.

Miguel Paredes’ boundless approach to the canvas is evident upon sight, communicated through his vibrant and eclectic artistic style; a meshing of abstracted figurative painting, rich with line drawings and floral elements. Working in mixed media, Paredes’ work is energetic, sometimes frantically so.

Paredes’ canvases come alive with line work, and buzz with a diverse and complex system of methodical layers. He mixes elements of stylized city scenes upon backgrounds of abstract thoughts and ideas, bold surface elements that seep into his canvas from the realms of internal expression. In his painting “Madonna and Child”, flowers crawl down the canvas to frame an interior scene, as though they were painted onto a pane of glass. The flowers are symbols of our memory, in the unique way that thoughts often reveal themselves. However, unlike common depictions of the classic Madonna and Child, Paredes utilizes the urban youth symbolized by the iconic break-dancer of an age not long forgotten.

Humming with detail and infused with the electricity of the urban pulse, Paredes’ paintings also include atmospheric texts. It is here that Miguel’s graphic inclinations shine through, words taking on the look of messages scribed upon the surface of a photograph. Using a wide palette of color represented by both rich, solid forms, and figures composed of mingling hues, Miguel suggests a certain transparency and insight. Viscous colors often drip down Paredes’ canvases, adding movement to already active planes. With white line work on black backgrounds, and colors glowing like bright neon lights, Paredes’ darker paintings register as the semi-familiarity of inverted images, and the darkness of humid city nights. Here is where we see the duality of his culture. His upbringing in New York City, and life in Miami inspires this exploration of urban themes, and more particularly, provides insight into the human condition.

Miguel’s exhibition, B-Boys is on view from November 9th until November 25th, with an opening night reception for the artist on Friday November 9th from 7:00 until 10:00 pm. The Gallery is located at 121 Roebling Street in Brooklyn NY. Gallery hours are Thursday to Monday from noon until 6pm.

Founded in October of 2003 by artists David Kesting and Lincoln Capla, Capla Kesting Fine Art has become synonymous with the exposure of underground artists. Created primarily as a venue to expose their work, and that of their talented group of friends CKFA has developed a reputation for their off the beaten path approach to advancing the public’s knowledge of premier talents that demand our attention.

“We’re not here making a statement. We’re just showing art we think deserves to be shown. The goal and whole idea of the place is to help bring artists that we respect and enjoy to the attention of the public.” – Capla Kesting Fine Art

Directions: Bedford Ave L train Stop. Exit the subway walking west on North 7th, away from river, 2 blocks to Roebling, then proceed south 2 blocks to North 5th. The gallery is located on the corner of North 5th and Roebling.

CKFA is sponsored by Kelso Brewery in Brooklyn and we proudly pour their beverages!

The Painted Bird

Wednesday, April 14th, 2010
The Painted Bird –
Dave Tree & Bird Beak Group

October 19– November 4, 2007

A) Dave Tree Draft The Rich, Silk Screen on Wood, 24” x 32”

B) Ray Sell, Lobster Jump, 9” X 12”, collage and acrylic on canvas

C) Nick Dyball, Cleo, 8″ x 11″, watercolor on paper



Cecilia Granata, Vegan zombies love vegan donuts but vegan donuts are hard to find, 18″ x 18″, Acrylic and pencil on wood



Kenichi Hoshine, “untitled”, 23″ x 28″, Mixed Media on Paper, 2007


Nick Dyball, Rachel, 8″x11″, watercolor on paper


Ray Sell, Wanna Banana, 12” X 16”, collage and acrylic on canvas, 2007


Cecilia Granata
, one edulcorated ontological mistake, 22″ x 22″, Acrylic and pencil on wood


Chris Duffy, The Four Seasons, 22.5 x 16


Mark Opirhory, Midsummer, Oil on wood panel, 23″ by 23″, 2006


Ray Sell, Ahoy…Thar She Blows, 7” X 14”, collage and acrylic on canvas, 2007

Ray Sell, Approach of a Hero, 12” X 16”, collage and acrylic on canvas, 2007

Capla Kesting Fine Art Presents:
The Painted Bird: A group exhibition of artists in The Bird Beak Group and Dave Tree
October 19 – November 4, 2007
Reception for the Artist: Friday October 19 from 7:00 – 10:00 pm
121 Roebling Street (at the corner of North 5th) Brooklyn NY 11211
Bedford Ave L train Stop
Thursday – Monday from Noon until 6:00 pm
Admission is free to the public phone : 917-650-3760 http://www.caplakesting.com

FOR IMMEDIATE RELEASE

“Fresh Blood, the next big thing, get ‘em while they’re young,” have long been the mottos of talent-hungry collectors, dealers and critics alike. It is with this call to arms that CKFA presents: The Painted Bird, the third exhibition of our fall schedule designed to introduce new artists to the Williamsburg community.

The Painted Bird is a group show of Fresh Talent. These largely unrepresented but disciplined artists demonstrate their strength in the figurative arts with bright palettes and satirical, social commentary together with Capla Kesting Fine Art’s long-time street cred representative David Tree. Tree’s harsh urban style of street stencils and political silk screens wrangle in the new breed of talent pooled from the School of Visual Arts’ high polish and tight-penned Bird Beak Group; a pairing made for the most scrutinizing eye.

“For me the responsibility of introducing a new art collective to the public is an opportunity I enjoy but take seriously,” Said Dave Tree. “I am excited to see there is so much of a common theme amongst our work, but the differences inspire me even more. That is what drives me back into the studio to expand my own vision.”

When discussing the merits of the Bird Beak Group collective Nick Dyball, a founding member, explains, “The Bird Beak Group formed out of relationships we developed as students while attending SVA. We all have technical backgrounds regarding painting and illustration and I think that’s what unifies us. There is a strong narrative to each artwork. The group really strives to produce an exhibition that we would want to see as someone who is visiting a gallery.”

Exhibiting artists are: Esao Andrews, April Bushnell, Joo Chung, Paul Davis, Chris Duffy, Nick Dyball, Kenichi Hoshine, Regino Gonzalez, Cecilia Granata, James Jean, Ruth Marten, Mark Opirhory, Mu Pan, Chang Park, Ray Sell, Dave Tree and Tuff Weidner.

The Painted Bird will be on display from October 19 until November 4 with an opening night reception for the artist on Friday, October 19 from 7:00 until 10:00 pm. The Gallery is located at 121 Roebling Street in Brooklyn NY. Gallery hours are Thursday to Monday from noon until 6pm, or by appointment.

Founded in October of 2003 by David Kesting and Lincoln Capla, Capla Kesting Fine Art has become synonymous with the exposure of underground artists. Created primarily as a venue to expose the work of their talented group of friends CKFA has developed a reputation for their off the beaten path approach to advancing the public’s knowledge of premier talents that demand our attention.

“We’re not here making a statement. We’re just showing art we think deserves to be shown. The goal and whole idea of the place is to help bring artists that we respect and enjoy to the attention of the public.” – Capla Kesting Fine Art

Directions: Bedford Ave L train Stop. Exit the subway walking west on North 7th, away from river, 2 blocks to Roebling, then proceed south 2 blocks to North 5th. The gallery is located on the corner of North 5th and Roebling.

CKFA is sponsored by Kelso Brewery in Brooklyn and we proudly pour their beverages!



ARTIST BIOS:

Esao Andrews
Esao Andrews is a painter, Baker Skateboards illustrator/designer and Meathaus Collective member. His art depicts a blend of the grotesque, erotic and surreal in a manner in keeping with other American artists like Mark Ryden and John Currin, and is very popular in New York art galleries. He recently had a shared show with John John Jesse. He is most well known for his work on Circa Survive’s album artwork for Juturna, as well as their May 2007 release, On Letting Go.
Andrews is also well-known for his cutting-edge flash animation, for which Vector Park’s Patrick Smith has served as acknowledged mentor.
Mr. Andrews recently had a story published in the original Fables graphic novel 1001 Nights of Snowfall.

April Bushnell
born in Texas
lives and works in NYC

2003-05 School of Visual Arts
2006-present Fashion Institute of Technology
2006 BIRD BEAK Debut Show, Niagra, East Village, NYC
2007 BIRD BEAK Group Show, Headquarters Studio, Tribeca, NYC

Joo Chung
born in Korea
lives and works in NYC

BFA, Art Center College of Design
One person exhibitions: University of California, Santa Cruz; Scope Gallery; Biola
University.
Clients include: Time, Newsweek, Sports Illustrated, Money, The New York Times, New
York magazine, Adweek, Texas Monthly, Rolling Stone, RCA Records, Business
Week, Elektra/Asylum Records, Doubleday, St. Martin’s Press, Knopf, Scholastic Inc., Atlantic Monthly, Baltimore Opera, Paramount Pictures.

Paul Davis

BFA, School of Visual Arts

Paul Davis has created many memorable images for Broadway and Off-Broadway productions such as Barrymore and the New York Shakespeare Festival’s For Colored Girls…, The Pirates of Penzance, and Hamlet. Davis, art director for the Festival from 1984 to 1991, counts Time Magazine, Rolling Stone, American Museum of the Moving Image, the 92nd Street Y, and The New York Times as clients.??The principal of the Paul Davis Studio, he is the winner of the 1997/1998 Prix de Rome (Rome Prize) in the Design Arts. The American Academy in Rome, a center for independent study, research, and creative work in the arts and humanities, bestowed the award to Davis in April 1997. Davis has not only created posters and magazine covers, but he has also created numerous book covers and murals and was selected as a 1997 Apple Master by Apple Computers.

Chris Duffy
born in Connecticut
lives and works in NYC

2003-07 School of Visual Arts, BFA Illustration
2006 Man-Made Monsters, Visual Arts Gallery, Chelsea, NYC
BIRD BEAK Debut Show, Niagra, East Village, NYC
2007 BIRD BEAK Group Show, Headquarters Studio, Tribeca, NYC

Nick Dyball
born in Maryland
lives and works in NYC

2003-07 School of Visual Arts, BFA Illustration
2006 Man-Made Monsters, Visual Arts Gallery, Chelsea, NYC
BIRD BEAK Debut Show, Niagra, East Village, NYC
2007 BIRD BEAK Group Show, Headquarters Studio, Tribeca, NYC

Regino Gonzalez

Regino Gonzales started his tattoo apprenticeship may of 1995 and received a BFA from School Of Visual arts in 2001.

Cecilia Granata
born in Milan
lives and works in NYC

2003-07 School of Visual Arts, BFA Illustration
2006 Man-Made Monsters, Visual Arts Gallery, Chelsea, NYC
BIRD BEAK Debut Show, Niagra, East Village, NYC
2007 BIRD BEAK Group Show, Headquarters Studio, Tribeca, NYC
Zombies Attack, MF Gallery, LES, NYC
3 person show, MF Gallery, LES, NYC

Kenichi Hoshine

Kenichi Hoshine was born in Japan, raised in New Jersey and educated in New York.?His paintings have been exhibited in various cities around the world ?including New York, London, Los Angeles, San Francisco and Portland. ?He currently resides in New York.

James Jean

James Jean was educated at the School of Visual Arts in New York and earned his BFA in 2001. He currently lives in Los Angeles.
Clients
Archaeology Magazine?Atlantic Records?Baseline?Best Life Germany?Breakaway Magazine?Burton?Columbia University Magazine?Complex Magazine?Dark Horse Comics?DC/Vertigo Comics?Elektra Records?Entertainment Weekly?ESPN The Magazine?Fantagraphics?Fast Company?Future Music?GIRO?Guitar One?Harper Collins?Interscope Records?KING Magazine?Knopf?Marvel Comics?Men’s Health?Men’s Health Germany?Money Magazine?Mother Jones
Nike?NYLON?Penguin Books?Plansponsor?Playboy?Popular Science?Premiere Magazine?Reprise Records?Rolling Stone?Runner’s World?Scholastic?Security Management?Simon & Schuster?Society for Human Resource Management?SPIN Magazine?Target ?The New York Academy of Sciences?The New York Times?The Washington Post?TIME?TOR Books?TORO Magazine?Touch and Go Records?Ubisoft?Upper Deck?Warner Bros.?Wired Magazine
Awards
Gold Medal Society of Illustrators LA 2001, Eisner Award Best Cover Artist 2004 – 2006, Harvey Award Best Cover Artist 2005, 2006, American Illustration 22, 23, 25, Society of Illustrators 45, 46, 47, Spectrum 12, 13.

Ruth Marten

Ruth Marten is best known for her art depicting hair. Her new work has expanded beyond that content to include a host of ideas collected over a long career as an artist and illustrator. Using 18th century engravings, she adds to and embellishes the pre-existing imagery with brush and ink, putting a decidedly different spin on things. Humorous and bizarre, these renewed pictures remake history and kick propriety in the shins.

Mark Opirhory

Education
School of Visual Arts
New York, NY, 2000 – 2003
Awarded Bachelor of Fine Arts in Illustration with focus on oil painting and traditional preparation of materials.

New York Academy of Art
New York, NY, 2005-2006
Studied Anatomy and the mechanics of the human body, various mediums.

Arts Students League
New York, NY, February 2005
Studied portraiture, various mediums.

Freelance Illustration
F.M.Allen
New York, NY, 2004
13 Illustrations for instructional Roorkhee Chair pamphlet.

Awards and Exhibitions
2005 16th National Drawing & Print Competitive Exhibition. Gormley Gallery. Baltmore, MD.
2005 Contemporary Realism. Centre for the Living Arts. Mobile, AL.
2004 Gallery Opening. Awake Gallery. Kingston, NY.
2002 The Cold North. SVA Main Gallery. NY, NY.
2002 Gilbert Stone Grant.

Chang Park

Clients include:
TIME, The New York Times, Business Week, The Village Voice, LA Weekly, The Washington Post, Santa Fe Reporter, The Source, Pulse, Blaze, XXL, Oneworld, City Pages, New Times, Salon.com, American Medical News, POZ, CosmoGIRL, Plan Sponsor, The Deal, Ziff-Davis, Penguin Books, Scholastic, Warner Bro. Records, Elektra Records, The Criterion Collection, The Richards Group, Id Software, Pyro, Sony Playstation, Activision, Ecko Unlimited, Pepsi/Apple, etc.

Ray Sell
born in New York
lives and works in NYC

Ray Sell studied at the School of Visual Arts in New York and received his BA in Illustration. He appropriates vintage imagery from magazines and re-invents them as paintings. His subject is both the content of these found images and the reinterpretation when the images are combined.

2003-07 School of Visual Arts, BFA Illustration
2006 Man-Made Monsters, Visual Arts Gallery, Chelsea, NYC
BIRD BEAK Debut Show, Niagra, East Village, NYC
2007 BIRD BEAK Group Show, Headquarters Studio, Tribeca, NYC

Tuff Weidner
born in Missouri
lives and works in NYC

2003-07 School of Visual Arts, BFA Illustration
2006 Man-Made Monsters, Visual Arts Gallery, Chelsea, NYC
BIRD BEAK Debut Show, Niagra, East Village, NYC
2007 BIRD BEAK Group Show, Headquarters Studio, Tribeca, NYC


Iraq War Memorial: Death of Prince Harry

Wednesday, April 14th, 2010
Daniel Edwards -
“Iraq War Memorial: Death of Prince Harry”
October 11-14th

A) Clay model of the “Iraq War Memorial: Death of Prince Harry” by Daniel Edwards. Life Size, 2007


B) Clay model of the
“Iraq War Memorial: Death of Prince Harry” by Daniel Edwards. Life Size, 2007


C) Clay model of the
“Iraq War Memorial: Death of Prince Harry” by Daniel Edwards. Life Size, 2007

Capla Kesting Fine Art in association with Bridge Art Fair London is pleased to present:
Daniel Edwards – “Iraq War Memorial: Death of Prince Harry”
October 11-14 -

COLLECTOR’S CATALOG NOW ONLINE

PRINCE HARRY “DEAD” IN IRAQ WAR MEMORIAL
The ‘Brave At Heart’ Honored with Royal Tribute in London

LONDON, England – A war-mutilated Prince Harry is the symbolic fallen hero in a memorial honoring those willing but unable to serve in the Iraq conflict. Harry, brother to Britain’s future king, was poised to be the most celebrated soldier of the Coalition forces, but due to the “specific threats to kill or kidnap him,” he was kept home. However, Prince Harry will be remembered for his intended tour of duty in a memorial to be unveiled at the Trafalgar Hotel October 11th courtesy of Bridge Art Fair.

“Iraq War Memorial featuring the Death of Prince Harry, the Martyr of Maysan Province” draws inspiration from Harry’s willingness to sacrifice for his country, and the sympathy for his disappointment of an unfulfilled patriotic aspiration.

“This war memorial is dedicated to the brave at heart,” said spokesman David Kesting. “But the brave men and women Prince Harry inspired to enlist for combat following his announcement to serve six months in Iraq are not forgotten.”

The Memorial features Prince Harry laid out before the Union Jack with pennies placed over his eyes and head rested on the Bible. The statue suggests the tragic outcome of a confrontation in Iraq’s Maysan Province with the Iranian weapons smugglers for whom Harry’s tank regiment was scheduled to patrol. Prone with his unfired gun still holstered, Prince Harry is represented clutching a bloodied flag of Wales, and holding to his heart a cameo locket of his late mother, Princess Diana, while a desert vulture perches on his boot. Harry’s head is earless, denoting the explicit threats against the Prince from militia leaders saying they planned to send him back to his grandmother “without his ears.”

A bronze casting of Prince Harry’s “severed ears” also set for display at the Trafalgar Hotel will be offered on eBay.

Harry had stated he would leave the army if he was left in safety while his regiment was sent to a war zone. “Prince Harry’s spirit must have died the day they told him he couldn’t serve,” speculates New York artist Daniel Edwards. “That’s what this memorial is about.”

Like Paris’s Victor Noir Memorial, security for the Prince Harry Memorial will guard against vandalism from expected throngs of admirers believing luck in love and fertility may come by kissing the lips of the memorial to England’s reputed playboy “pinup prince.”

The “Death of Prince Harry” follows the recent tenth anniversary remembrance Harry organized for his mother, who died tragically in Paris. On Princess Diana’s coffin was a card from Harry, made out to Mummy. Visitors may place cards and flowers for Harry at the memorial or e-mail their condolences to www.PrinceHarryMemorial.com.

For information, contact David Kesting at 917-650-3760 or John Leo at 917-292-8865 or visit www.BridgeArtFair.com.

Media-Contact:
David Kesting
CaplaKestingFineArt / BridgeArtFair
+1-917-650-3760
info@caplakesting.com

“Iraq War Memorial: Death of Prince Harry” by Daniel Edwards.

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